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Silk Road Kesi and Brocade

Kesi is silk tapestry woven to be reversible, so it could carry a picture and still be cut and reused. On the Silk Road, Jin and Yuan brocades put phoenixes, hares and lions into gold thread, much of it gilded paper, while Central Asian weavers worked palmettes and animals into yardage. Chinese rank badges, worn on court dress to declare an official’s grade, took the same technique into administration. Fragments here are mostly what remains of something much larger.

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Gold-brocaded phoenixes rising into clouds, woven in Jin dynasty China. Jin designs are typically asymmetrical, so the cloth reads as a flight rather than a repeat.

CC0 · Public domain · 1100s–1200s

Brocade with Soaring Phoenixes among Clouds

Gold-brocaded phoenixes rising into clouds, woven in Jin dynasty China. Jin designs are typically asymmetrical, so the cloth reads as a flight rather than a repeat.

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Small archival scan: best for reference and screen use, not large prints.

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Source & licensing
Creator / date
China, Jin dynasty, maker unknown · 1100s–1200s
Source credit
The Cleveland Museum of Art, 1994.292. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
A deerlike animal lying down and gazing up at the moon among clouds, a motif interpreted in many ways over the centuries. Gold thread carries the whole design.

CC0 · Public domain · 1115–1234

Brocade with Djeiran Gazing at the Moon

A deerlike animal lying down and gazing up at the moon among clouds, a motif interpreted in many ways over the centuries. Gold thread carries the whole design.

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Small archival scan: best for reference and screen use, not large prints.

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Source & licensing
Creator / date
China, Jin dynasty, maker unknown · 1115–1234
Source credit
The Cleveland Museum of Art, 1991.4. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
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Northern Chinese brocade made after the Mongol conquest, with eastern Iranian craftsmen arriving and changing both technique and motif. The lotus still reads Chinese; the drawing is not.

CC0 · Public domain · 1200s–mid-1300s

Brocade with Lotus Flowers

Northern Chinese brocade made after the Mongol conquest, with eastern Iranian craftsmen arriving and changing both technique and motif. The lotus still reads Chinese; the drawing is not.

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Small archival scan: best for reference and screen use, not large prints.

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Creator / date
Northern China, Yuan dynasty, maker unknown · 1200s–mid-1300s
Source credit
The Cleveland Museum of Art, 1994.293. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
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Front-facing phoenixes in gold thread made from flat strips of gilded paper rather than the usual membrane. A cheaper substitute that performs almost identically under light.

CC0 · Public domain · 1100s–1200s

Brocade with Phoenixes

Front-facing phoenixes in gold thread made from flat strips of gilded paper rather than the usual membrane. A cheaper substitute that performs almost identically under light.

× px · Unmodified source file

Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
Central Asia, Jin dynasty, maker unknown · 1100s–1200s
Source credit
The Cleveland Museum of Art, 1994.27. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
Hares among bushes, a motif tied to the hunting culture of the Khitan, Jurchen and Mongols. The animals are woven into the ground rather than applied.

CC0 · Public domain · 1200s–mid-1300s

Brocade with Hares

Hares among bushes, a motif tied to the hunting culture of the Khitan, Jurchen and Mongols. The animals are woven into the ground rather than applied.

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Small archival scan: best for reference and screen use, not large prints.

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Source & licensing
Creator / date
Northern China, Yuan dynasty, maker unknown · 1200s–mid-1300s
Source credit
The Cleveland Museum of Art, 1991.113. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
A reversible silk and metal-thread tapestry, a fragment of yardage intended for a garment. Kesi is woven to be seen from either side, which is why so much of it was cut and reused.

CC0 · Public domain · 1200s or earlier

Tapestry with golden lions and palmettes

A reversible silk and metal-thread tapestry, a fragment of yardage intended for a garment. Kesi is woven to be seen from either side, which is why so much of it was cut and reused.

× px · Unmodified source file

Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
Central Asia, maker unknown · 1200s or earlier
Source credit
The Cleveland Museum of Art, 1991.3. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
Tigers, deer and a dragon in reversible tapestry, the animals arranged as a pursuit across the cloth. Kesi allowed pictorial detail that ordinary weaving could not reach.

CC0 · Public domain · 1000s–1200

Tigers Chasing Deer, with Dragon

Tigers, deer and a dragon in reversible tapestry, the animals arranged as a pursuit across the cloth. Kesi allowed pictorial detail that ordinary weaving could not reach.

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Small archival scan: best for reference and screen use, not large prints.

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Source & licensing
Creator / date
China, Eastern, 11th–12th century, maker unknown · 1000s–1200
Source credit
The Cleveland Museum of Art, 1988.100. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
Dragons in pursuit of flaming pearls on a deep purple ground, in silk and gold tapestry. The purple ground is what makes the gold read as light rather than metal.

CC0 · Public domain · 1200s or earlier

Dragons Chasing Flaming Pearls

Dragons in pursuit of flaming pearls on a deep purple ground, in silk and gold tapestry. The purple ground is what makes the gold read as light rather than metal.

× px · Unmodified source file

Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
Central China, maker unknown · 1200s or earlier
Source credit
The Cleveland Museum of Art, 1988.33. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
A kesi dragon among flowers sewn into the centre of a canopy, with a border added centuries later. The two dates are visible in the weave and record how textiles were repaired and kept.

CC0 · Public domain · 1100s/1400s

Canopy with Dragon among Flowers

A kesi dragon among flowers sewn into the centre of a canopy, with a border added centuries later. The two dates are visible in the weave and record how textiles were repaired and kept.

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Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
China, Southern Song center with a later border, maker unknown · 1100s/1400s
Source credit
The Cleveland Museum of Art, 1995.1. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
A Ming rank badge in slit tapestry, worn on court dress to mark official grade. Each bird or animal belonged to a rank, so the pattern was a form of identification.

CC0 · Public domain · c. 1500–1550

Rank Badge (buzi)

A Ming rank badge in slit tapestry, worn on court dress to mark official grade. Each bird or animal belonged to a rank, so the pattern was a form of identification.

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Small archival scan: best for reference and screen use, not large prints.

Open in Studio
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Creator / date
China, Ming dynasty, maker unknown · c. 1500–1550
Source credit
The Cleveland Museum of Art, 1985.32. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
A Qing badge in silk and metal thread, four centuries of the same system carried to its most elaborate. By this date the embroidery shares the field with the weaving.

CC0 · Public domain · 1850–99

Rank Badge (buzi)

A Qing badge in silk and metal thread, four centuries of the same system carried to its most elaborate. By this date the embroidery shares the field with the weaving.

× px · Unmodified source file

Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
China, Qing dynasty, maker unknown · 1850–99
Source credit
The Cleveland Museum of Art, 1916.1329. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
A panel of rocks and narcissus, the flower of the new year, woven as a painting. Kesi panels were mounted and hung like scrolls.

CC0 · Public domain · 1700s–1800s

Kesi Panel: Rocks and Narcissus

A panel of rocks and narcissus, the flower of the new year, woven as a painting. Kesi panels were mounted and hung like scrolls.

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Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
China, Qing dynasty, maker unknown · 1700s–1800s
Source credit
The Cleveland Museum of Art, 1915.654. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
Its companion in the chrysanthemum, the autumn flower. Together the two panels follow the seasons, a standard pairing in Chinese decorative art.

CC0 · Public domain · 1700s–1800s

Kesi Panel: Rocks and Chrysanthemums

Its companion in the chrysanthemum, the autumn flower. Together the two panels follow the seasons, a standard pairing in Chinese decorative art.

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Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
China, Qing dynasty, maker unknown · 1700s–1800s
Source credit
The Cleveland Museum of Art, 1915.653. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate
A strip of kesi with gold, probably cut from a larger furnishing. Fragments like this are how most kesi reaches us: the surviving piece of something much larger.

CC0 · Public domain · 1700s–1800s

Strip of Silk Tapestry (Kesi)

A strip of kesi with gold, probably cut from a larger furnishing. Fragments like this are how most kesi reaches us: the surviving piece of something much larger.

× px · Unmodified source file

Small archival scan: best for reference and screen use, not large prints.

Open in Studio
Source & licensing
Creator / date
China, Qing dynasty, maker unknown · 1700s–1800s
Source credit
The Cleveland Museum of Art, 1916.1332. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
× px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate

Public-domain status is reported by the linked source and may vary by jurisdiction. Check the source record for your intended use. No exclusive rights or Visual Bounty marketplace license are offered for these images.