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Bronze: Chinese Ritual Vessels

Chinese bronzes were cast to be used at an altar and buried with the dead, not admired as sculpture. Piece-mould casting allowed ornament to be taken directly from a carved model, so that the taotie mask, the coiled dragon and the whorl could be repeated and varied across a vessel’s whole surface. These vessels, made between about 1700 BCE and the third century BCE, carry the shapes that name themselves: ding, gui, hu, jia, jue, zun. By the Warring States period the ritual had faded and the bronze had become an object of display, inlaid with gold and covered with hunting scenes.

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The earliest Chinese bronze vessel in the museum collection, made around 1700–1500 BCE in the Erlitou culture and already showing sophisticated piece-mould casting.

CC0 · Public domain · c. 1700–1500 BCE

Wine Vessel (Jia)

The earliest Chinese bronze vessel in the museum collection, made around 1700–1500 BCE in the Erlitou culture and already showing sophisticated piece-mould casting.

3151 × 3400 px · Unmodified source file

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Creator / date
China, probably Henan province, Erlitou culture (c. 1900–1500 BCE), maker unknown · c. 1700–1500 BCE
Source credit
The Cleveland Museum of Art, 1989.150. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
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3151 × 3400 px · JPG · 0.0 MB
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Wine and food were central to the Shang state cult of ancestor worship. A jue was used in the offering of wine, its spout and pointed legs designed for pouring at the altar.

CC0 · Public domain · c. 1200 BCE

Wine vessel (Jue)

Wine and food were central to the Shang state cult of ancestor worship. A jue was used in the offering of wine, its spout and pointed legs designed for pouring at the altar.

3373 × 3400 px · Unmodified source file

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Creator / date
China, Shang dynasty (c. 1600–c. 1046 BCE), maker unknown · c. 1200 BCE
Source credit
The Cleveland Museum of Art, 1960.42. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
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3373 × 3400 px · JPG · 0.0 MB
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Among the rare monumental pieces uncovered at Anyang, the last royal Shang capital. A jia warmed wine, and this one was cast large enough to dominate a ritual set.

CC0 · Public domain · c. 1250–1046 BCE

Wine Vessel (Jia)

Among the rare monumental pieces uncovered at Anyang, the last royal Shang capital. A jia warmed wine, and this one was cast large enough to dominate a ritual set.

2149 × 3400 px · Unmodified source file

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Creator / date
China, Shang dynasty (c. 1600–c. 1046 BCE), Anyang phase (c. 1250–1046 BCE), maker unknown · c. 1250–1046 BCE
Source credit
The Cleveland Museum of Art, 2005.54. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
2149 × 3400 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
A square wine container from Anyang, its proportions and the precision of its cast ornament marking the technical peak of Shang foundry work.

CC0 · Public domain · c. 1250–1046 BCE

Square Wine Container (Fangyou)

A square wine container from Anyang, its proportions and the precision of its cast ornament marking the technical peak of Shang foundry work.

2427 × 3400 px · Unmodified source file

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Creator / date
China, Henan province, probably Anyang, Shang dynasty (c. 1600–c. 1046 BCE), Anyang phase (c. 1250–1046 BCE), maker unknown · c. 1250–1046 BCE
Source credit
The Cleveland Museum of Art, 1963.103. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
2427 × 3400 px · JPG · 0.0 MB
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Ding tripods were made in sets of graded sizes, used to offer grain and meat to ancestral spirits. The size of the set announced the rank of the person making the offering.

CC0 · Public domain · 1200–1100 BCE

Tripod Cauldron (Ding)

Ding tripods were made in sets of graded sizes, used to offer grain and meat to ancestral spirits. The size of the set announced the rank of the person making the offering.

3400 × 3204 px · Unmodified source file

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Creator / date
China, Shang dynasty (c. 1600–c. 1046 BCE), maker unknown · 1200–1100 BCE
Source credit
The Cleveland Museum of Art, 1960.288. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
3400 × 3204 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
A tall, slender wine vessel of the Western Zhou with decoration in three bands: above the foot, around the neck and on the cover, stylised birds or phoenixes in each.

CC0 · Public domain · c. 1000–900 BCE

Wine Vessel (Hu)

A tall, slender wine vessel of the Western Zhou with decoration in three bands: above the foot, around the neck and on the cover, stylised birds or phoenixes in each.

2212 × 3400 px · Unmodified source file

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Creator / date
China, Western Zhou dynasty (c. 1046–771 BCE), maker unknown · c. 1000–900 BCE
Source credit
The Cleveland Museum of Art, 1944.61. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
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2212 × 3400 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
A fu wu zun of the Western Zhou, a shape named in its inscription rather than legible from the form alone. Vessels of this type held wine for the ancestral rites.

CC0 · Public domain · c. 1000–900 BCE

Wine Vessel (Fu Wu Zun)

A fu wu zun of the Western Zhou, a shape named in its inscription rather than legible from the form alone. Vessels of this type held wine for the ancestral rites.

2818 × 3400 px · Unmodified source file

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Creator / date
China, Western Zhou dynasty (c. 1046–771 BCE), maker unknown · c. 1000–900 BCE
Source credit
The Cleveland Museum of Art, 1938.13. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
2818 × 3400 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
Although the Zhou defeated the Shang, the rites and the casting of ceremonial bronzes continued. Zhou work shows a different taste: calmer, the ornament resolved into flatter bands.

CC0 · Public domain · c. 1000 BCE

Wine Vessel (Zun)

Although the Zhou defeated the Shang, the rites and the casting of ceremonial bronzes continued. Zhou work shows a different taste: calmer, the ornament resolved into flatter bands.

3351 × 3400 px · Unmodified source file

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Creator / date
China, Western Zhou dynasty (c. 1046–771 BCE), maker unknown · c. 1000 BCE
Source credit
The Cleveland Museum of Art, 1951.151. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
3351 × 3400 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
A large tripod giving an effect of overpowering force, three taotie masks with coiled creatures aligned in the decorative frieze.

CC0 · Public domain · 1000s BCE

Tripod (Ding)

A large tripod giving an effect of overpowering force, three taotie masks with coiled creatures aligned in the decorative frieze.

2343 × 3000 px · Unmodified source file

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Creator / date
China, Western Zhou dynasty (c. 1046–771 BCE), maker unknown · 1000s BCE
Source credit
The Cleveland Museum of Art, 2003.2. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
2343 × 3000 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
A ritual food vessel on a square pedestal, its openwork and sculpture transforming the silhouette. The design has a baroque energy that belongs to the sixth century BCE.

CC0 · Public domain · 600–500 BCE

Food Container (Gui)

A ritual food vessel on a square pedestal, its openwork and sculpture transforming the silhouette. The design has a baroque energy that belongs to the sixth century BCE.

3400 × 2784 px · Unmodified source file

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Creator / date
China, Eastern Zhou dynasty (770–256 BCE), Spring and Autumn period (770–476 BCE), maker unknown · 600–500 BCE
Source credit
The Cleveland Museum of Art, 1974.73. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
3400 × 2784 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
By the fourth century BCE bronzes were losing ritual significance and becoming marks of prestige. This hu is inlaid with gold, ornament as conspicuous consumption.

CC0 · Public domain · early 400s BCE

Wine Vessel (Hu)

By the fourth century BCE bronzes were losing ritual significance and becoming marks of prestige. This hu is inlaid with gold, ornament as conspicuous consumption.

3400 × 2986 px · Unmodified source file

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Creator / date
China, Warring States period (475–221 BCE), maker unknown · early 400s BCE
Source credit
The Cleveland Museum of Art, 1929.984. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
3400 × 2986 px · JPG · 0.0 MB
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2026-11-04 · editorial approval separate
The hunting scenes in flat low relief are among the earliest pictorial scenes in Chinese art, running around the body of the vessel as a continuous narrative.

CC0 · Public domain · 481–221 BCE

Hu (Jar)

The hunting scenes in flat low relief are among the earliest pictorial scenes in Chinese art, running around the body of the vessel as a continuous narrative.

2666 × 3400 px · Unmodified source file

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Creator / date
China, Eastern Zhou dynasty (770–256 BCE), Warring States period (475–221 BCE), maker unknown · 481–221 BCE
Source credit
The Cleveland Museum of Art, 1975.62. Open Access.
Rights designation
CC0 · Public domain ↗
Usage notes
Released by the Cleveland Museum of Art under CC0 1.0. Credit to the museum is encouraged; CC0 does not imply endorsement.
Original file
2666 × 3400 px · JPG · 0.0 MB
Source checked
2026-11-04 · editorial approval separate

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